Auditions for “Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic & Magic”

Tuesday, November 30
from 7:00PM to 9:30PM

Wednesday, December 1
from 7:00PM to 9:30PM

 The Broadview Heights Spotlights is pleased to announce open auditions for Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic & Magic.  This show will be directed by Daniel Hunsicker and produced by Stephanie Malfara.This production will run January 28- February 6, 2022.  After a sold out one weekend run in 2019, we just weren’t ready to put this one away!
Auditions will consist of reading from the script.


Some people are born to do great things. Some people change the world. Some people rise from humble beginnings to beat back the forces of darkness in the face of insurmountable odds. “PUFFS” is the story of the people who sit in class next to those people. And badgers.  In this strangely familiar tale, we follow a story we think we know and learn how all of us are truly heroes in our own adventure. 

All Roles Available:

The hero. Totally uncool, but full of charm and heart. Loyal to a tee. Likes comic books and video games, knows nothing about magic or this weird magic world he is now a part of. Best friends with Oliver and Megan. 

One of the main trio. Incredibly smart and cerebral, he is a math wiz, and proud of it; lovingly a nerd from New Jersey. After ending up at wizarding school, he finds out he isn’t the top of his class, and instead begins a fantastical journey of friendship and even some love, better than any algebra class could ever promise.

One of the main trio; begins the show by only desiring to live up to her mother’s reputation: a dark wizard currently in Wiz Priz for being such a bad-ass Death Buddy in her youth. Favorite store: Hot Topic. Favorite color: black. Defiant and headstrong on the surface, the audience begins to see that what she truly desires is be loved and accepted. 

The narrator of the story. They guide us through our entire show of Puffy-ness. British accent. Must be a great storyteller, as they must keep the audience engaged and updated on all the goings-on. Can be a bit of a know-it-all, but still relatable and appealing. Comedy skills a must, improv background is a plus. 

Requires an actor capable of doing strong impressions. Ernie Mac: Proud. Loud. Pretty sure he’s the best. Male Teachers: Potions Teacher/ Locky/ Professor Turban/ Mr. Moody. All impressions. Strong comedic ability. 

Requires playing several different roles back to back, so the ability to play a variety of character types a plus. Hannah: Shy. Very shy. Female Teachers: Professor McG, Professor Plants, Professor T, Bath Babbles. Adults of all kinds of different personalities. 

Improvisational skills a plus. Boyish & fun. Chipper and happy except, when his life is in mortal danger. Any ethnicity/cultural background. 

A little distant. A little random. Is possibly a genius or really, really stupid. But has a really strong heart. The Puffiest of the Puffs. 

Sally: Nice. In year 3, goes through a bit of a growth spurt that attracts the other student’s attention, if you know what I mean. Bippy: A house elf. Devoted. Loyal. Kind of annoying. 

Susie: Sad. Gloomy. Think Eeyore from “Winnie the Pooh.” Constantly in fear of her or her family dying. Harry: Young, plucky, and famous. Struts around school like he owns it. Gets into a few wacky situations, but it’s nothing the bonds of friendship can’t overcome.

An appealing comic actor to play the pivotal roles of Cedric in Act I and Mr. Voldy in Act II. Cedric: A champion. Athletic, winning, popular, and charming. Everyone’s favorite, but still loyal, patient, and kind. A leading example of a Puff. Mr. Voldy: Evil. Like, reeeaaally evil. Wants to rule the world in shadows and darkness and terror. 


As of November 1st, 2021, Broadview Heights Spotlights requires all volunteers, actors, and production staff to be fully vaccinated against COVID-19 prior to auditions in order to be involved in any production. Please bring proof of vaccination to auditions along with a headshot and resume if you have them.

Please also note that it is Spotlights policy to wear a face mask while in the building unless you are actively performing or auditioning. Removal of your mask while auditioning is at the discretion of the director. Please direct any questions to the director, Daniel Hunsicker –

Auditions for Local Lore Ghost Walk 2021

Monday, August 30, 2021

7:00 – 9:30 PM

The Broadview Heights Spotlights is seeking actors and actresses to portray local “spirits” and guides at its 4th Annual Local Lore Ghost Walk – an immersive, historical outdoor theater event on the Broadview Heights city campus.  This unique seasonal experience will be held Friday, Saturday, and Sunday evenings, October 22-24, 2021. It is held rain or shine.

Auditions will be Monday, August 30th from 7:00PM – 9:30PM at the Broadview Heights Spotlights building, 9543 Broadview Road (on the Broadview Heights city campus, next to the police department).  

Auditioners (ages 14 and up) will read from materials provided. Rehearsals are held once per week for 4 weeks, or as necessary. Those wishing to audition but are unable to come that day should contact director, Keleigh Bowling, at

Auditions for “Into the Woods”


WEDNESDAY, July 14th from 6:00 PM – 10:00 PM

THURSDAY, JULY 15th from 6:00 PM – 10:00 PM

Callbacks, if necessary, will be held on Saturday Afternoon, July 17, by invitation only.

Sign Up!

Auditions for Stephen Sondheim’s Into the Woods are open to those ages 14 and up. Rehearsals will begin the week of July 25 and will typically run Sunday – Thursday however, please be aware that there WILL be some Friday evening rehearsals as well. A complete rehearsal schedule will be provided in the first week of rehearsal. The show will be performed LIVE from September 24 – October 9, 2021. The show is directed and musically directed by Ryan Bergeron with technical design by  Tim Anderson and musical staging by Trish Hostetler. The role of Cinderella has been cast. All other roles are open. Those auditioning should:

  • SIGN UP for an audition appointment here.
  • Arrive 10 minutes prior to their audition slot to complete an audition form.
  • Bring a resume and headshot, if available.
  • Plan to attend only one night, unless invited to callbacks.
  • Prepare two contrasting song cuttings, preferably in the style of the show (1 ballad, 1 up tempo), no more than one minute in length each. It is recommended (but not required) that at least one selection be a piece by Stephen Sondheim.
  • Bring sheet music in the correct keys, hole-punched and in a three-ring binder, and appropriately marked with your audition cutting. Singers will not be permitted to sing a cappella (without sheet music). For this audition, songs from the show ARE acceptable.
  • Bring a list of conflicts between July 25 and October 9.
  • Share your availability for Saturday, July 17, should you be invited to participate in callbacks.

Additional questions may be emailed to the director at


“James Lapine and Stephen Sondheim take everyone’s favorite storybook characters and bring them together for a timeless, yet relevant, piece… and a rare modern classic. The Tony Award-winning book and score are both enchanting and touching.

The story follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King’s Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch’s curse, the two set off on a journey to break the curse. Everyone’s wish is granted, but the consequences of their actions return to haunt them later with disastrous results.”

Character List

Note:  Doubling/expansion of roles is at the discretion of the director. Gender and ages listed are those of the character.

Narrator An intellectual and pleasant story-teller who helps to orchestrate the show and illustrate lessons to the audience.Gender: Male
Vocal range top: E4
Vocal range bottom: G2
*Already cast
A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters.Gender: Female
Age: 20 to 30
Vocal range top: G5
Vocal range bottom: G3
JackThe feckless Giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed.Gender: Male
Age: 20 to 30
Vocal range top: G4
Vocal range bottom: B2
Jack’s MotherBrowbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed.Gender: Female
Age: 50 to 65
Vocal range top: Gb5
Vocal range bottom: Bb3
The BakerA harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles.Gender: Male
Age: 35 to 45
Vocal range top: G4
Vocal range bottom: Ab2
The Baker’s WifeDetermined and bright woman who wishes to be a mother. She leads a simple, yet satisfying life and is very low-maintenance yet proactive in her endeavors.Gender: Female
Age: 35 to 45
Vocal range top: G5
Vocal range bottom: F3
Cinderella’s StepmotherThe mean-spirited, demanding stepmother of Cinderella.Gender: Female
Age: 40 to 50
Vocal range top: F#5
Vocal range bottom: A3
Florinda And LucindaCinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella.Gender: Female
Age: 25 to 35
Vocal range top: Ab5
Vocal range bottom: C4
Little Red RidinghoodA spoiled young girl who is strong-willed, quick-wited, fearless, yet youthful and naive.Gender: Female
Age: 15 to 20
Vocal range top: F5
Vocal range bottom: Bb3
The WitchSarcastic, ugly-then-gorgeous, obsessive protector of Rapunzel who is straightforward and aggressive.Gender: Female
Age: 45 to 55
Vocal range top: G5
Vocal range bottom: F3
Cinderella’s MotherDeceased with her soul guarding and aiding her daughter from a tree.Gender: Female
Age: 40 to 55
Vocal range top: F4
Vocal range bottom: E4
Mysterious ManA mischievous vagrant and nosy meddler. He is a good-natured protector and observer.Gender: Male
Age: 50 to 65
Vocal range top: Eb4
Vocal range bottom: G2
WolfHungry and insatiable hunter who takes advantage of the weak by misleading and captivating his prey.Gender: Male
Age: 30 to 35
Vocal range top: Gb4
Vocal range bottom: Bb2
RapunzelA loopy-but-lovely maiden who is sheltered by the Witch and terribly lonely. She yearns to experience the world.Gender: Female
Age: 20 to 30
Vocal range top: A5
Vocal range bottom: B3
Cinderella’s PrinceVain and gorgeous, he is a disloyal lover who is currently searching for the next new, exciting thing.Gender: Male
Age: 30 to 40
Vocal range top: F4
Vocal range bottom: B2
Rapunzel’s PrinceJust as vain and gorgeous as his Prince brother, he is always chasing the newest, most exiting endeavor.Gender: Male
Age: 30 to 40
Vocal range top: E4
Vocal range bottom: C#3
GiantVoiceover. The Giant’s wife is an angry and vengeful ‘monster.’ She is seeking restitution for her loss.Gender: Female
Age: 40 to 60

Auditions for “Clue: Stay-At-Home Version”

Virtual, Zoom Auditions

Sunday, December 6, 2:00 – 4:00PM
Monday, December 7, 7:00 – 9:00PM  – Filled to Capacity.

The Broadview Heights Spotlights is holding auditions for Clue: Stay-At-Home Version, a virtual performance which will stream live from February 5 – 13, 2021. This show will be directed by Tim Anderson, produced by Ryan Bergeron & Brenton Cochran, and costumed by Katie Simon Atkinson & Jill Kenderes.

Based on the iconic 1985 Paramount movie which was inspired by the classic Hasbro board game, Clue is a hilarious farce-meets-murder mystery. The tale begins at a remote mansion, where six mysterious guests assemble for an unusual dinner party where murder and blackmail are on the menu. When their host turns up dead, they all become suspects. Led by the butler Wadsworth, Miss Scarlet, Professor Plum, Mrs. White, Mr. Green, Mrs. Peacock and Colonel Mustard race to find the killer as the body count stacks up. The characters and the audience must try to figure out who, where, and with what.

“With the uncertainty of our ability to provide a live, in-person, we felt it necessary to plan something exciting to start our 2021 season,” says Tim Anderson, Education Director for the Spotlights and the director for this production.  “This show is based on a movie with sort of a cult following among theater types.  Our production will still have a very theatrical feel, including full costumes, a scale model of a set, and sound effects.”  The Spotlights produced a successful run of a virtual production of The Secret Life of Girls in October.

Auditions for Clue will be held virtually on Sunday, December 6, from 2:00 – 4:00PM and Monday, December 7, from 7:00 PM to 9:00PM.  All Monday evening audition slots are filled.

Those auditioning should be able to provide a list of conflicts between December 13 and February 13.

Click here to register for Sunday auditions.

Callbacks, if necessary, will be held by invitation only on a to-be-determined date later in the week.

After signing up, you will receive scenes to review and a link to the Zoom meeting.

All rehearsals, which will begin minimally in December, and performances will be held virtually.  Participants must have a device with a web camera and reliable internet access.  Cast members also will need to pick up costumes and props at the Spotlights Theater in Broadview Heights in mid-January.

Important Note: All rehearsals and production components will be held 100% digitally, so a device with a webcam and microphone and reliable internet access is necessary.

For additional information, please email the director at



NARRATOR This adapted “Stay-At-Home” version of the play includes a narrator who provides context and scene descriptions throughout.
WADSWORTH a traditional British butler in every sense: uptight, formal, and “by the book.” He is the driving force in the play.
YVETTE a loyal and sexy French maid.
MISS SCARLET a dry, sardonic DC Madam, more interested in secrets than sex.
MRS. PEACOCK the wealthy wife of a Senator, a bit batty, neurotic, and quick to hysteria.
MRS. WHITE a pale, morbid, and tragic woman. Mrs. White may or may not be the murderer of her five ex-husbands.
COLONEL MUSTARD a puffy, pompous, dense, blow-hard of a military man.
PROFESSOR PLUM an arrogant academic, easily impressed by himself.
MR. GREEN a timid, yet officious, rule follower. He’s awfully anxious.
Ensemble Roles (Some may be combined at the director’s discretion).
TV NEWSCASTER reports on McCarthyism.
THE COOK a gruff woman with a threatening presence (alive and dead).
MR. BODDY a slick Frank Sinatra/film noir-esque type fella (alive and dead).
THE MOTORIST a professional driver (alive and dead).
THE UNEXPECTED COP a regular Joe (alive and dead).
SINGING-TELEGRAM GIRL a tap dancer with a heart of gold (alive and dead).
CHIEF OF POLICE a cop who helps to save the day.
BACKUP COP Backup for the Chief in the final “cops” entrance.
BACKUP COP backup for the Chief.

Clue: Stay-At-Home Edition
Based on the screenplay by Jonathan Lynn
Written by Sandy Rustin
Additional Material by Hunter Foster and Eric Price
Based on the Paramount Pictures Motion Picture
Based on the Hasbro board game CLUE
Original Music by David Abbinanti

Produced by special arrangement with Broadway Licensing.

Directed by Tim Anderson

Produced by Ryan Bergeron & Brenton Cochran

Costumed by Katie Simon Atkinson & Jill Kenderes


Click here to register for Sunday auditions.

Auditions for “Dearly Departed”

Sunday, February 23, 3:00 – 6:00PM
Monday, February 24, 6:00 – 9:00PM

The Broadview Heights Spotlights Theater will hold auditions for Dearly Departed by David Bottrell and Jessie Jones.

Auditions will occur on Sunday, February 23 from 3:00PM to 6:00PM and Monday, February 24 from 6:00 – 9:00PM at the Broadview Heights Spotlights Theater, located on the Broadview Center Property next to the Police Station, 9543 Broadview Road.

The show will be directed by Tyson Douglas Rand and will run April 24th – May 9th. Rehearsals will begin in the week of March 8.  Auditioners are asked to bring a list of conflicts from March 8 through February 24 to list on the audition form.  All roles are unpaid/volunteer.

Auditions will consist of readings from the script.  Resumes and headshots are welcomed, but not required.

About the Show

In the Baptist backwoods of the Bible Belt, the beleaguered Turpin family proves that living and dying in the South are seldom tidy and always hilarious. Despite their earnest efforts to pull themselves together for their father’s funeral, the Turpin’s other problems keep overshadowing the solemn occasion: Firstborn Ray-Bud drinks himself silly as the funeral bills mount; Junior, the younger son, is juggling financial ruin, a pack of no-neck monster kids, and a wife who suspects him of infidelity in the family car; their spinster sister, Delightful, copes with death as she does life, by devouring junk food; and all the neighbors add more than two cents. As the situation becomes fraught with mishap, Ray-Bud says to his long-suffering wife, “When I die, don’t tell nobody. Just bury me in the backyard and tell everybody I left you.” Amidst the chaos, the Turpins turn for comfort to their friends and neighbors, an eccentric community of misfits who just manage to pull together and help each other through their hours of need, and finally, the funeral.

Character Breakdown
(The director is likely to double several roles.)

Bud Turpin: Family patriarch who dies in the 1st scene.

Raynelle Turpin: Bud’s widow – Christian family woman who tells it like it is in a quiet unassuming manner.

Ray-Bud Turpin: Raynelle and Bud’s Eeder son – recovering alcoholic terribly afraid of death and none too happy to foot funeral bill.

Lucille Turpin: Ray-Bud’s wife – desperately wants to have a baby but cannot carry to full term. Motherly type who takes care of everyone.

Junior Turpin: Raynelle and Bud’s younger son – completely broke because of poor business decision. Recently had an affair that his wife finds out about.

Suzanne Turpin: Junior’s wife – completely broke because of Junior’s bad business decision. A bit passive/aggressive personality. Sings hymn at funeral.

Marguerite: Bud’s sister – devoutly and aggressively Christian, very loud and controlling of her offspring and any situation.

Royce: Marguerite’s son – out of work with no future plans, which his mother never lets him forget. More of an observer than a doer.

Delightful: Bud and Raynelle’s daughter – the youngest who was never really allowed to grow up. Eats constantly and only speaks when spoken to.

Reverend Hooker: Parish minister – a minister tired of ministering. Becomes “Ill” at funeral.

Veda: Elderly friend of the family – caregiver to her sickly husband and doesn’t let anyone forget it.

Norval: Veda’s husband – hard of hearing and hard to understand. Kept alive by oxygen masks and meds.

Nadine A younger friend of the family – seems to get pregnant just by looking at a man. All of her children named after famous actors.

Clyde: Ray-Bud’s boss – knows exactly how he wants to die. First priority is to “take care of our own.”

Juanita: Cousin by marriage – very wealthy and proper. Bit of a gossip.

The Joy of Life Singers: At least 3 actors who will be required to sing- they will be doubled from the other characters



Auditions for “Nonsense, Nonsense, Intermission, More Nonsense”

Monday, November 25, 6:00 – 9:00PM
Tuesday, November 26, 6:00 – 9:00PM

The Broadview Heights Spotlights Theater will hold auditions for Nonsense, Nonsense, Intermission, More Nonsense, a series of original one-act, theatre-themed plays by local playwright Greg Mandryk. 

Auditions will occur on Monday, November 25 & Tuesday, November 26 from 6:00 – 9:00PM at the Broadview Heights Spotlights Theater, located on the Broadview Center Property next to the Police Station, 9543 Broadview Road.

The show will be directed by David L. Munnell and will run January 31 – February 9, 2020 as our annual coffeehouse production. Rehearsals will begin in January.  Auditioners are asked to bring a list of conflicts from January 5 through February 9.  All roles are unpaid/volunteer.

Auditions will consist of readings from the scripts and improv activities. Auditioners will be asked to sing a silly song acapella (this show is not a musical, but some roles may require onstage singing).   The show also requires an actor to play a guitar live on stage.  If applicable, auditioners should bring a prepared song to play on their own guitar.   

Additional questions may be emailed to the director at

Nonsense, Nonsense, Intermission, Other Nonsense
consists of the following one-act plays
by Cleveland-Area Playwright Greg Mandryk

  • September in Biddeford
  • Venus Needs Men
  • Sorrows of the Sandman
  • If at First…
  • Special Extra Treatment
  • Disciplinary Measures
  • Foul Bouquet
  • Famous Last Words

Roles exist for men and women.  Doubling possible at the discretion of the director.



Auditions for “Ragtime”

Sunday, August 11, 2:00 – 5:00PM
Monday, August 12, 7:00 – 10:00PM

Sign up for an audition slot here.

Auditions will be held by appointment on  Sunday, August 11 from 2:00 PM– 5:00PM and Monday, August 12 from 6:00PM – 9:00PM. Auditioners should sign up for an audition slot at  Invited callbacks, if necessary, will be held on Wednesday, August 14.    Rehearsals will begin the week of September 22.  The show runs November 8 – 23 and will be the performed in the Spotlights’ new 3200-square-foot flexible theater space!

This musical is set in the volatile melting pot of turn-of-the-century New York, weaving together three distinctly American tales – that of a stifled upper-class wife, a determined Jewish immigrant and a daring young Harlem musician – united by their courage, compassion and belief in the promise of the future. Together, they confront history’s timeless contradictions of wealth and poverty, freedom and prejudice, hope and despair… and what it means to live in America.

Written by the award-winning composer/lyricist team of Stephen Flaherty and Lynn Ahrens (Once on This Island, Seussical, and Lucky Stiff), noted playwright Terrence McNally, and based on E.L. Doctorow’s distinguished novel, Ragtime is the winner of the 1998 Tony Awards for Best Score, Book and Orchestrations, and both the Drama Desk and Outer Critics Circle Awards for Best Musical and Best Score.

The show will be directed by Tim Anderson and music directed by Ryan Bergeron.  Performers of all ethnicities (ages 15 and up) are invited to audition.

The roles of Tateh and Mother have been cast; all other roles are open. There are a small number of roles available for younger performers, and those interested should contact the director directly at

Those auditioning should:

  • Sign up for an audition slot here.
  • Arrive 10 minutes prior to their audition slot to complete an audition form.
  • Plan to attend only one night of auditions.
  • Be familiar with the show and its music and themes.
  • Prepare two brief (up to one-minute) contrasting songs (one up-tempo, one ballad), in the style of the show.
  • Bring sheet music in the correct keys, hole-punched in a three-ring binder.  Singers will not be permitted to sing a cappella.
  • Bring a list of conflicts between September 22 and November 23.

Additional questions may be sent to the director at

(Genders and ages listed are those of the character.)

Coalhouse Walker, Jr. Male
Age: 25 to 35
Vocal range: G2 – A4
A proud and talented pianist. He is sophisticated, with a romantic demeanor and gentle heart though an intimidating build.
Sarah Female
Age: 20 to 25
Vocal range: G#3 – F#5
Washwoman. Sarah is beautiful and filled with a strong will to live fueled by an innocent spirit. Falls deeply in love with Coalhouse after much resistance.
Booker T. Washington Male
Age: 45 to 55
Vocal range: D3 – Eb4
Incredibly intelligent social activist. He is an eloquent and articulate gentleman with no patience for Black Americans leading less than exemplary lives.
Sarah’s Friend Female
Age: 18 to 25
Vocal range: D3 – D5
A friend of Sarah’s who attends her funeral.
Emma Goldman Female
Age: 35 to 45
Vocal range: B3 – D5
Social activist. With an unapologetically demanding presence, she is a leader and powerful woman.
Father Male
Age: 30 to 45
Vocal range: A2 – F4
Mother’s professionally successful husband. Fancying himself an amateur explorer, he is commanding and attractive. Enjoys being the family breadwinner.
Younger Brother Male
Age: 20 to 25
Vocal range: B2 – F#4
Mother’s younger brother. With his wiry frame and obsessive personality, he is an erratic soul. Influenced greatly by Goldman’s teachings.
Grandfather Male
Age: 60 to 70
Mother’s very conservative father. He is a retired professor and easily irritated by nearly everything.
Harry Houdini Male
Age: 25 to 35
Vocal range: E3 – G4
The famous magician. With dark features and notable physical ability, he stands as a symbol of the ‘American Dream.
Evelyn Nesbit Female
Age: 18 to 21
Vocal range: B3 – D5
Beautiful vaudeville performer. Thrust into the limelight after the high-profile murder of her lover, the entire world is her stage.
Henry Ford Male
Age: 35 to 45
Vocal range: D4 – F5
an American industrialist and founder of the Ford Motor Company
J.P. Morgan Male
Age: 60 to 65
the rich, famous financier
Willie Conklin Male
Age: 25 to 40
Vocal range: D4 – F5
A racist volunteer fireman who destroys Coalhouse’s car
Little Girl
(Email Director)
Age: 7 to 10
Vocal range: C4 – Bb4
Tateh’s daughter. A confused and vulnerable child in a brand-new home, she is guarded and shy. Loves her father very much.
Little Boy
(Email Director)
Age: 8 to 12
Vocal range: E4 – D5
Mother and Father’s son. He is open-hearted and curious with inexplicable clairvoyance. Never passes judgement on others.
Ensemble A highly featured, diverse group of Baseball Fans; Coalhouse Supporters; Firemen; Harlem Citizens, Immigrants To America; New Rochelle Citizens; Reporters; Vacationers
Mother This role has been cast. The consummate wife and mother. A kind woman with incredible moral fiber. Refined, intelligent, and graceful. She is accepting of others.
Tateh This role has been cast. The haggard artist and father. He wears the trials and tribulations of his past on his sleeve but remains optimistic.


Full Synopsis

Act One

We are introduced to the social and political climate of the United States in the early twentietth century by meeting a parade of characters – famous celebrities and private citizens of the time. First, we visit New Rochelle, New York, to meet a well-to-do white family: Mother, Father, their Little Boy, Mother’s Younger Brother and Grandfather. Next, we go to Harlem to meet Coalhouse Walker, Jr., a ragtime pianist, and his admirers. Immigrants arrive at Ellis Island, where we meet Tateh, an artist who makes silhouettes, and his Little Girl. The lives of these three American families are entwined with Booker T. Washington, Harry Houdini, J.P. Morgan, Henry Ford, Evelyn Nesbit and Emma Goldman. Whites, African Americans, immigrants and celebrities are set on a collision course from the opening number (“Ragtime”).

Father is accompanying Admiral Peary on a trip to the North Pole. At the dock, he consoles Mother that everything will be the same upon his return, but Mother is not convinced (“Goodbye My Love”). On its way out of the harbor, Father’s ship passes a rag ship filled with immigrants, arriving in New York. Tateh and the Little Girl are on board. Tateh and Father wave to one another; Father admires the immigrants for their naive bravery in coming to a new land, and Tateh questions Father’s reasons for leaving the place that he has worked so hard to find. Simultaneously, Mother wonders what this year without her husband will bring (“Journey On”).

Mother’s Younger Brother is in love with Evelyn Nesbit. He is frustrated and lost, searching for meaning in his life and hoping to find it in her. Her show is a vaudeville act that tells the true story of her lover’s murder by her famous husband (“Crime of the Century”). Younger Brother goes to all of her shows. One day, after the show, Younger Brother approaches her, but she dismisses him.

The scene shifts to Mother and the Little Boy in the garden. The Little Boy wants to see Houdini, as he has a cryptic message for him: “Warn the duke.” While he begins to read her Father’s letter, mother makes a shocking discovery – there is a newborn African-American child buried in the flowerbed. The police arrive on the premises with Sarah, the mother of the child. Rather than let Sarah go to prison, Mother takes Sarah and the child into her own home (“What Kind of Woman”).

With many other immigrants, Tateh and The Little Girl disembark at Ellis Island, full of hope (“America”). Tateh sets up his business on the Lower East Side, selling paper silhouettes of celebrities for a nickel each. Emma Goldman chastises him for selling one of J.P. Morgan, the epitome of capitalism. J.P. Morgan enters the scene and metaphorically crushes the immigrants, but Harry Houdini magically swoops in as an emblem of immigrant triumph. Time passes, Tateh becomes less idealistic – he is still poor and the Little Girl is sick. When a man tries to buy the Little Girl, Tateh has reached rock bottom. He swears to make a better life for himself and his child (“Success”).

Far Uptown, the people of Harlem celebrate the great musician, Coalhouse Walker, Jr. (“His Name Was Coalhouse Walker”). He tells his friends the story of how he loved and lost Sarah, but reveals that he’s just found out where she might be living and is determined to win her back (“Getting’ Ready Rag”). Henry Ford appears to tell us of his new method of mass production and his most famous product – the Model T (“Henry Ford”). A new car rolls off of the assembly line, and Coalhouse drives off in search of Sarah.

Back in New Rochelle, Mother and the Little Boy wait at the train station, on their way to New York City to take care of the family business while Father is away. Tateh and the Little Girl wait across the tracks for a train to Boston. Mother and Tateh greet one another, and Tateh is surprised to be treated with respect (“Nothing Like the City”). The Little Boy has a premonition that they will see Tateh and the Little Girl again, but Mother tells him that is absurd.

On his way to New Rochelle, Coalhouse encounters a group of hostile volunteer firemen who threaten him for being cocky by driving past them in his new car. Meanwhile, Sarah, living in Mother’s attic, begs her infant’s forgiveness for her desperation – trying to explain what drove her to such an unimaginable act (“Your Daddy’s Son”). When Coalhouse arrives at Mother’s home, Sarah will not see him.

Coalhouse returns every Sunday for weeks, wooing Sarah with his ragtime tunes and winning over Mother, Grandfather and the Little Boy (“The Courtship”). Father returns from the North Pole to find a very different household from the one he left. He cannot wrap his head around the facts that his wife is independent, his family is accepting of the African-American courtship happening in his living room and there is ragtime music coming from his piano (“New Music”).

Finally, Sarah comes down to see Coalhouse and they reunite. Coalhouse tells Sarah of his admiration for Booker T. Washington’s achievements and, together, he and Sarah imagine a future for their child (“Wheels of a Dream”). Meanwhile, in Lawrence, Massachusetts, Tateh has lost sight of the American dream and now works at a mill 64 hours a week. In Union Square, Emma Goldman tries to generate a strike against the oppressive mill owners. Younger Brother happens to hear her speech and is energized to the cause of workers rights – he finally has something in which to believe (“The Night That Goldman Spoke in Union Square”).

A violent labor strike erupts in Lawrence. Tateh intends to put The Little Girl on a train to a safer place, with other children and a chaperone. However, she is so distraught that he jumps on the train with her. He soothes her terror with a flipbook of silhouettes that he has made (“Gliding”). The train conductor notices the book of moving silhouettes and buys it for his own child. Tateh sees this as a wonderful new business idea.

Coalhouse once again encounters the volunteer firemen, and, this time, they do more than threaten him. As Booker T. Washington gives a speech about rising above and holding fast, the men destroy Coalhouse’s car. Coalhouse moves through the legal channels in search of justice for this crime against him, but he is denied at every avenue (“Justice”). He postpones his marriage to Sarah until the matter is resolved. Sarah, out of desperation and naiveté, tries to seek help from a visiting Vice Presidential candidate but is clubbed to death by police, who suspect her of having a gun (“President”). Act One closes with the anger and grief of Sarah’s funeral (“Till We Reach That Day”).

Act Two

Coalhouse mourns the loss of Sarah (“Coalhouse’s Soliloquy”). Seeking vengeance, he shoots three of the firemen who trashed his car, burns their firehouse and demands that the fire chief, Willy Conklin, be brought to justice (“Coalhouse Demands”).

A group of young men joins Coalhouse as he strikes out against the system. Booker T. Washington publicly condemns Coalhouse’s actions. Father goes to the police to tell them what he knows about Coalhouse. Younger Brother, who is moved by the plight of the oppressed and angry about the injustice done to Coalhouse, erupts at Father for working against Coalhouse. He storms out of the house in anger, and Mother, who is still caring for Sarah and Coalhouse’s baby, is deeply upset. In reaction, Father takes the Little Boy to a baseball game. But even this has changed and is now a game, not just for upper class whites, but for immigrants, too (“What a Game”). Meanwhile, Coalhouse’s band of men sets fires around the city. Reporters besiege the family in New Rochelle. Father, thinking that it is time to get away, takes the family to Atlantic City, where Evelyn Nesbit and Houdini both happen to be starring attractions (“Let’s Run Away to Atlantic City”).

In Atlantic City, we discover that Tateh is now a famous film director and has recreated himself as Baron Ashkenazy. His daughter, healthy and beautifully dressed, is by his side. Once again, Tateh meets Mother and tells her the story of his success (“Buffalo Nickel Photoplay, Inc.”).

Later, the Little Boy asks Houdini for his autograph and gives him the message: “Warn the duke.” Houdini is confused and intrigued, but the Little Boy runs off. The Little Girl and Little Boy play together as Tateh and Mother watch from the boardwalk (“Our Children”). Tateh reveals his humble origins to Mother, who is moved by his honesty.

In Harlem, Younger Brother searches for Coalhouse and, although the residents are distrustful of him, one of Coalhouse’s men takes him to Coalhouse’s hideout. Meanwhile, drawn by laughter and dancing in a club, Coalhouse thinks of the first time that he met Sarah (“Sarah Brown Eyes”). A blindfolded Younger Brother is brought to Coalhouse’s den. Younger Brother wants to express his sympathy for Coalhouse’s actions but all he can manage to do is offer his knowledge of explosives (“He Wanted to Say”). Coalhouse focuses his rage by taking over J.P. Morgan’s Library. He threatens to blow up the library and all of its treasures, as well as himself and all of his men, one of whom is now Younger Brother. Father tells Mother that he has volunteered to act as a negotiator, and Mother realizes that this experience has irrevocably changed their relationship (“Back to Before”).

Coalhouse and his men barricade themselves inside the library. Emma Goldman applauds this, but Booker T. Washington deplores these actions. Father tells the authorities that Booker T. Washington is the only man to whom Coalhouse will listen. Booker T. is sent into the library to speak with Coalhouse. He chides Coalhouse, both for risking the lives of the young men around him, while leaving his own son to be raised by white men, and for endangering the position of all African Americans by making them seem hot-headed and violent (“Look What You’ve Done”). He assures Coalhouse that, if he surrenders, he will have a fair trial and a forum for his opinions. Coalhouse negotiates the safe passage of his men, including Younger Brother, while Father remains behind in the library. The men protest his decision, but he explains to them that the only way to win the fight is to go out into the world and tell their story (“Make Them Hear You”). When Coalhouse is left alone with Father, he asks about his son. Father promises a safe end to the standoff, but, when Coalhouse exits the building to surrender, he is shot dead by authorities.

The era of ragtime ends. The characters come forward, one by one, to tell us the end of their stories: Younger Brother joins the revolutionary Emiliano Zapata, Emma Goldman is deported, Booker T. Washington establishes the Tuskegee Institute, Evelyn Nesbit fades into obscurity, Houdini has the one true mystical experience of his life when he is performing in Sarajevo and the duke is shot, Grandfather dies and Father is killed during wartime. Finally, Mother and Tateh marry and move to California with their children.

As the curtain falls, Little Coalhouse runs into Mother’s arms, and men and women of all nationalities – and races – join Mother on the stage (“Epilogue”).

Auditions for “Rumors” by Neil Simon

Sunday, June 30, 7:00 – 9:00PM

Monday, July 1, 7:00 – 9:00PM

The Broadview Heights Spotlights Theater will hold auditions for Neil Simon’s comedic farce, Rumors, on Sunday, June 30 and Monday, July 1 from 7:00 – 9:00PM. 

This farce takes place in a large New York City townhouse where the Deputy Mayor has just shot himself on the evening of his tenth wedding anniversary party.  The victim’s wife is nowhere in sight, and his lawyer tries to convince his own wife to get “the story” straight before the other guests arrive.  Confusions and miscommunications mount as the evening spins off into classic farcical hilarity. 

The show will be directed by Dan Sekanic and will run August 23 – September 7. Rehearsals will begin in mid-July.  Auditioners are asked to bring a list of conflicts from July 7 to September 7. Auditions will consist of readings from the script.    Rumors contains mature language and content with which those auditioning should be familiar and comfortable. 

Questions may be emailed to the director at

Character Breakdown

  • Ken Gorman – (40) A well-to-do lawyer. Wealthy, but by no means pretentious. Takes charge of the situation. Married to Chris. Halfway through the show, a gunshot causes his temporary deafness.
  • Chris Gorman – (mid-30’s) Another lawyer, married to Ken. Beautiful, easily flustered. Frantically tries to maintain normalcy at the party. Has recently quit smoking, which drives her to drink a bit more. Lenny
  • Ganz – (Late 30’s, early 40’s) – A wealthy accountant, distraught over the recent destruction over his new car. Starts the show with an extreme case of whiplash. Intolerant of the gossipy-lifestyle that he is often involved in.
  • Claire Ganz – (Late 30’s) – Ganz’s wife. Very concerned with appearances (hers and others’). Starts the play with a swollen lip. Likes to gossip.
  • Ernie Cusack – (Early 50’s) – a psychiatrist. Affable, smokes a pipe. Loves his wife very much. Tries to be as helpful as possible cooking the evening’s dinner.
  • Cookie Cusack – (40’s) – has her own cooking show. Suffers from extreme back spasms. Loves her husband very much. A bit absent-minded at times.
  • Glenn Cooper – (30-40) A handsome man running for State Senate. Worried about his own reputation. Struggles with placating his wife, who is convinced he is having an affair (which he may or may not be).
  • Cassie Cooper – (late 20’s, early 30’s) Glenn’s beautiful wife. Obsesses over her husbands’ relationships with other women. Quick to anger. Must rub her quartz crystal to calm herself down.
  • Officer Welch (M) – (30-50) – A city police officer having a rough night. Does not tolerate lying. Sees through the “classy” façade that these high-society types put up.
  • Officer Pudney (F) – (20-30) – Welch’s partner. A strong but silent type.


 Auditions for “The Velveteen Rabbit”

Auditions for The Velveteen Rabbit

Sunday, February 24,  7:00 PM

The Broadview Heights Spotlights will be holding auditions for its upcoming Theater for Young Audiences production of The Velveteen Rabbit, adapted by James Still from the classic story by Margery Williams. Director Brenton Cochran is seeking a  large cast consisting of kids (10 and up), teens, and adults.  Auditions will consist of readings from the script.  Rehearsals will begin March 3; the show runs May 4 – 12.

If you are interested in auditioning, but unable to attend the scheduled time, please contact the director at

This enchanting version of the classic children’s story is a winner of The Charlotte B. Chorpenning Playwright Award.  Unbeknownst to Andrew’s grumpy nursemaid, there is a life to the playthings on the floor and in the toy cabinet when the lights go out in the nursery Timothy Lion, Train Engine, Skin Horse, Model Boat and Velveteen Rabbit all spring to life.  Actors represent the ’spirit’ of each toy-chattering, bickering and sharing their feelings in hilarious and touching interactions.  With narration by the tender and grandfatherly Skin Horse Spirit, you’ll laugh and cry along with the characters as they endure the trials and tribulations of their unique experiences-especially the Rabbit Spirit, who learns about love when he gains the affection of the young boy.  The raggedy stuffed bunny is with him every moment until Andrew comes down with scarlet fever and the doctor orders all bedding, including the much-loved toy, to be burned.  Rabbit Spirit escapes that terrible fate by a ‘hare,’ finding himself among the wild rabbits and the beautiful nursery magic fairy.  With a late-Victorian flavor in the dialogue and costuming, this adaptation creatively and beautifully renders for the stage the miraculous story of a stuffed animal made real by a child’s love and a little magic.


Andrew, a young boy (can be played by a girl as Andrea)

Nana, an elderly nursemaid

Uncle Brad, his uncle; late twenties

Mother, Andrew’s mother

Doctor, attends to Andrew

Peavey, servant

Timothy Spirit, a wood-jointed toy lion

Train Engine Spirit

Skin Horse Spirit

Model Boat Spirit

Rabbit Spirit

Nursery Magic Fairy

Wild Rabbit One

Wild Rabbit Two

Wild Rabbit Chorus

Brown Rabbit, female; wise about the world

 Auditions for “Man of La Mancha” and “A Grand Night for Singing”

 Auditions for Man of La Mancha and A Grand Night for Singing

Sunday, August 12,  7:00 – 10:00PM
Monday, August 13, 7:00 – 10:00PM

No appointment needed, but auditioners must arrive one hour before the scheduled end time.


Auditions for Man of La Mancha are open to ages 13 and up.  The role of Miguel de Cervantes/Don Quixote in Man of La Mancha has been cast.  All other roles are available.  Two roles may exist for children ages 8 – 13, contact the director regarding these roles at Man of La Mancha runs November 2 – 17, 2018. See below for more information.


A Grand Night for Singing requires strong singers able to hold complex harmonies: three women and two men, ages 18 and up.  This production runs February 1 – 16, 2019. See below for more information.


Those auditioning should:

  • Plan to attend only one night.
  • Prepare two contrasting songs (1 ballad, 1 up tempo) from the classic/golden age of musical theater, no more than one minute in length each. Songs from either show are acceptable.  Those auditioning for A Grand Night for Singing, are strongly encouraged to prepare at least one Rodgers and Hammerstein piece.
  • Bring sheet music in the correct keys, hole-punched in a three-ring binder.  Singers will not be permitted to sing a cappella.
  • Bring a list of conflicts applicable to the rehearsal schedule for the show(s) you are auditioning for. (LaMancha: September 16 – November 16; Grand Night: December – February)

All auditions will occur at the Broadview Heights Spotlights Theater, located in Building #22 on the Broadview Center Property at 9543 Broadview Road, Broadview Heights, OH  44147.  Our facility is located to the left of the Police Station in the rear of the of property.  Follow the blue “Theater” signs once turning into the main driveway.

Man of La Mancha

Written by Dale Wasserman
Music by Mitch Leigh
Lyrics by Joe Darion

The Spotlights’ production runs November 2 – 17, 2018.

Rehearsals start the week of September 16.


Miguel de Cervantes (Don Quixote) – THIS ROLE HAS BEEN PRECAST
Sancho Panza — manservant
Aldonza (Dulcinea)
Antonia — Alonso’s niece
Fermina — Moorish Girl dancer
Maria — innkeeper’s wife
Housekeeper — employee of Alonso
Dr. Sanson Carrasco — Antonia’s fiancé and Knight of the Mirrors

Captain of the Inquisition
Four Attendants to the Knight
Seven Muleteers: Jose, Tenorio, Paco, Juan, Anselmo, Pedro and a Guitar Player
Prison Guards
Gypsies (Moors)
Men of the Inquisition

Two roles may exist for children ages 8 – 13, contact the director regarding these roles at


A full synopsis can be found on Tams-Witmark’s website:



A Grand Night for Singing

Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Music Arrangements by Fred Wells
Conceived by Walter Bobbie

The Spotlights’ production runs February 1 – 16, 2019.

Limited rehearsals in December, full rehearsals starting nightly in January.


Martin – Leading Man, Baritone
Lynne – Leading Lady, Soprano
Victoria – Comic Ingenue, Second soprano
Jason – Comic Juvenile, Tenor
Alyson – Soubrette, Alto, Dancer

A Grand Night for Singing requires strong singers able to hold complex harmonies: three women and two men, ages 18 and up


Taste and imagination, the two key ingredients for a first-rate revue, abound in this fresh take on the Rodgers & Hammerstein canon conceived by Tony Award winner Walter Bobbie. Over three decades after the duo’s final collaboration, The Sound of Music, took the Great White Way by storm, it was in fact this new R&H musical that opened the 1994 Broadway season with flair and distinction, garnering wildly enthusiastic notices as well as earning two Tony nominations, including Best Musical. Here at R&H, our founding fathers probably never imagined “Shall We Dance?” as a comic pas de deux for a towering beauty and her diminutive admirer, nor did they suspect that one day a lovelorn young lad might pose the musical question, “How do you solve a problem like Maria?” But that’s precisely the kind of invention lavished upon this new revue, with innovative musical arrangements including a sultry Andrews Sisters-esque “I’m Gonna Wash That Man Right Out-a My Hair,” a swingin’ “Honeybun” worthy of the Modernaires, and a jazzy “Kansas City”which leaves no question about how terrifically up to date the remarkable songs of R&H remain.